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OLD SKOOL SLEEPER MICS PART II

7/31/2015

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The EV 635a
For this week's edition of "Old Skool Sleeper Mics," we turn our attention to the Electro-Voice 635a.  This microphone ( the "a" version ) has been around since 1965.  Pretty soon after this microphone came out, engineers started using it on all types of sources for both live and in the studio. 

This omni-directional dynamic microphone is a favorite among engineers for guitar amplifiers, vocals, & drums because as many of you already know, an omni-directional microphone won't exhibit proximity effect, and the tone of this particular microphone is unique and incredibly useful.  It can be had for a song on the used market, and is usually found in almost any major studio's mic locker!  Anywhere you'd use an SM-57, the 635a will more than likely excel.

Here are the some downloads from EV with the specs and other details:
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The Boy Band Of Digital Consoles

7/30/2015

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Warning, yet another satirical rant in progress...
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AAAAAHHHHHH! OMG!!!!! It's like, like, like - AAAAAAHHHHH!
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Dream Laaaaaaand!
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"x32, x32, x32 - AAAAAAAHHHHHH!!!!!!"

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Now all I need is a Line Array, and I'll be golden!!!! But first, let me put a flanger on every channel.
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Line Array is the answer for all of life's Questions

7/29/2015

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Warning - Satirical Rant In Progress....
"Hey guys, I go to a church of about 150 members.  We are looking for some new main speakers.  What would you suggest?"
Line Array, Line Array, LINE ARRAY!!!!
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That ought to do it!


How about some new speakers for your youth room?
LINE ARRAY!


"Hey everybody, we need some new stage monitors for our church, what would you suggest?"
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LINE ARRAAAAAAAY!!!!

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Stay tuned next week as we discuss how X32's can bake you a pizza, wash your car, train your old dog how to do new tricks, make you get rid of all of your self-help books, and bring world peace!
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OLD SKOOL SLEEPER MICS

7/17/2015

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The electro-Voice co94

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Every great once in a while, I am going to provide for you different examples of sleeper microphones that you may find in an old closet or drawer somewhere, or even for sale cheap on ebay, reverb (yea right - nothing is cheap on reverb), guitar center used, etc.

For this edition of Old Skool Sleeper Mics, we turn our attention to the Electro-Voice CO94. 

Originally it was meant for being a lapel microphone, but what some people don't know, is that this microphone makes a killer little snare/hi-hat mic.  This little guy can withstand up to 140db without distortion, so it can more than handle most snare duties.  Also - it can be powered via a 9-volt, or phantom power. 

The only challenge can be how to mount it on a stand to get to the appropriate place.  One way this can be done, is to carefully tape the brass housing of the mic to a boom arm of a microphone stand; with the mic clip taken off the end of it.  Or, you can use the included clip (if it is still on the mic) to just clip it on a stand. 

**Cool Tip: Being that it is an omni condenser, you can also attach the CO94 to a flat surface, and turn it into a boundary microphone for room use as well.  You can do this with any omni condenser microphone by the way...

You can also mount the microphone pointing upside down on the drummer's shirt.


The frequency spectrum shows a bump in the 7khz range, which is perfect for bringing out the sizzle in dark snares. 
CO94 Specification Sheet
File Size: 834 kb
File Type: pdf
Download File


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  • Home
  • What's New
  • The Basics of Sound
    • The Nature of Sound
    • Acoustics
    • Microphones
    • Loudspeakers >
      • Loudspeakers - Continued
    • Amplification
    • Understanding Alternating Current
    • Circuit Values
    • Amplifier Arrangements
    • Transistors
    • Interstage Coupling
    • Noise
    • Distortion Effects
    • Using an Oscilloscope
    • Frequency Response
    • Power Amplification
    • Phase Splitting Circuits
    • Audio Transformers
    • Distortion
    • Shielding
    • Cabling
    • Electro-Acoustics
    • Audio & Hearing
  • Microphone Types
  • Mic Placement
  • Gain Structure
  • Demystifying The Mixing Console
  • Equalization
  • Compression
  • The Ins & outs
  • The Sub Bus
  • The Voicing Concept
  • Reverb
  • Good Habits
  • Psychoacoustics
  • Stage Isolation & Drum Booths
  • System Feedback
  • System Noise & Hum
  • Electronic Repair
  • Speakers
  • Tips & Tricks
  • Noise Gates
  • Mixing 101 & Beyond
  • DIY Projects
  • Digital Audio Basics
  • Stage Lighting
    • Lighting Basics
    • Brightness
    • Color
    • Controls
    • Smoke
  • Books
    • Yamaha Sound Reinforcement Handbook
    • Sound Recording & Production
    • The Art of Record Production
    • Recording & Production of Sound
    • BBC - Microphones
    • Microphones - 3rd Edition
    • How To Build A Small Studio
    • Acoustic Techniques for Home & Studio
  • The Blog
  • References Page