With the advent and popularity of in-ear monitoring systems that the performer can mix themselves, this type of article may seem too outdated, but it truly has a lot of great nuggets hidden within its content - especially regarding stage plots, monitoring system placement, mic placement, engineer - performer dynamics, etc. Also, many larger facilities with higher budgets (and almost every big touring act) still use monitoring engineers even for in-ears. Please take the time to read this article as you will find it is packed with great information:
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