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Church Sound On A Budget: Part 2

9/10/2015

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Picture
Cool gear pic so that you'll read this article. Ha!
For Part 2 of this series, we are going to be exploring cool gear hacks and workarounds to get you rolling on a low budget.  In this series as a whole, we will be discussing everything from DIY electronic builds, to great inexpensive products you may not have heard of before.  With that said, let's get rolling with our first project:


DIY ELECTRIC GUITAR
BUFFER/LINE DRIVER/BOOST
If you run an electric guitar amplifier in a remote & isolated location several feet from your guitar amplifier, this buffer/linedriver is a killer solution for curing any capacitance issues you may have with your rig - thus preserving your tone.  As many of you already know, the longer the 1/4" run, the more capacitance in your guitar's signal chain, and the duller the tone.  This circuit cures this issue, and has no negative effects.  

This ultra-simple circuit sounds so good, you'll want to leave it on all of the time.  I have compared it against some of the most well known manufactured devices, and it is easily the best.  Notice that I use an LM386 IC.  Yes, this chip was originally developed by Texas Instruments as a 1/2 watt amplifier, but with a little know-how, and leaving out certain parts of the circuit, it makes a killer transparent boost.   
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The .1uf capacitor can be a cheap ceramic cap. Don't worry, your guitar won't know the difference, and neither will anyone else. The output volume control, is a 1/2 watt 100k Audio Taper potentiometer. Set the output volume of the circuit to where the tone is boosted just a hair, and this is where this buffer/linedriver is operating at its optimum level. Too much boost (which this circuit can easily do), and you'll overdrive the input of your guitar amplifier (some folks like this). Add a 3PDT stomp switch to make this a boost.

If you need an enclosure, I recommend Small Bear or Pedal Parts Plus.  The total project cost is not more than $20.  Super cheap & super easy to build with extraordinary results.
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My personal pedalboard with the above circuit as a boost/linedriver (upper left-hand corner). I used to be the chief designer of boutique guitar pedals from 2008-2011 of a now defunct pedal company. This pedal was my very first prototype of this type of pedal. I built it out of spare parts ( that's why it's so ugly - Lol ). When I tested it out, I noticed it imparted a certain "something" to my tone that I loved. It's stayed on my board ever since.

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  • Home
  • What's New
  • The Basics of Sound
    • The Nature of Sound
    • Acoustics
    • Microphones
    • Loudspeakers >
      • Loudspeakers - Continued
    • Amplification
    • Understanding Alternating Current
    • Circuit Values
    • Amplifier Arrangements
    • Transistors
    • Interstage Coupling
    • Noise
    • Distortion Effects
    • Using an Oscilloscope
    • Frequency Response
    • Power Amplification
    • Phase Splitting Circuits
    • Audio Transformers
    • Distortion
    • Shielding
    • Cabling
    • Electro-Acoustics
    • Audio & Hearing
  • Microphone Types
  • Mic Placement
  • Gain Structure
  • Demystifying The Mixing Console
  • Equalization
  • Compression
  • The Ins & outs
  • The Sub Bus
  • The Voicing Concept
  • Reverb
  • Good Habits
  • Psychoacoustics
  • Stage Isolation & Drum Booths
  • System Feedback
  • System Noise & Hum
  • Electronic Repair
  • Speakers
  • Tips & Tricks
  • Noise Gates
  • Mixing 101 & Beyond
  • DIY Projects
  • Digital Audio Basics
  • Stage Lighting
    • Lighting Basics
    • Brightness
    • Color
    • Controls
    • Smoke
  • Books
    • Yamaha Sound Reinforcement Handbook
    • Sound Recording & Production
    • The Art of Record Production
    • Recording & Production of Sound
    • BBC - Microphones
    • Microphones - 3rd Edition
    • How To Build A Small Studio
    • Acoustic Techniques for Home & Studio
  • The Blog
  • References Page