These are the frequency responses of some of the most popular microphones in use today on stages and studios all over the world (just a very small sample of something I have noticed over many years of audio production):
I wonder what all this love for the 5k region has been doing to all of our mixes over the years, and I wonder if we even notice it anymore, or if it suddenly wasn't there - would we perceive everything to be too dull?
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